This illustration accompanies Ruth Terry's New York Times article of the 29th of October 2020 on being an active bystander when encountering casual racism.
This illustration accompanies Ruth Terry's New York Times article of the 29th of October 2020 on being an active bystander when encountering casual racism.
This illustration accompanies Ruth Terry's New York Times article of the 29th of October 2020 on being an active bystander when encountering casual racism.
This illustration accompanies Ruth Terry's New York Times article of the 29th of October 2020 on being an active bystander when encountering casual racism.
"Artists
are like microscopes, revealing
the invisible, but also the unspoken
and the mysterious"


Watercolor Illustration:
Transform Daily Objects into Whimsical Characters
check out my Skillshare class HERE

Hélène Baum-Owoyele (born in 1987 in Munich) grew up in Germany, England and France. She graduated in 2011 from l’École Nationale Supérieure des Beaux-Arts in Lyon, then worked in agencies and industry as a graphic designer in Amsterdam and, finally, Berlin. Since 2017, she has been a freelance illustrator, designer and visual artist, creating highly colourful images in watercolour, mixed and vector media. Coming from a diverse cultural background, what defines her universe is a sense of "kaleidoscopic identity".
Largely, her illustration and design work aims to empower BIPoC communities and is mostly used in cultural and socio-political contexts around issues of diversity, inclusivity, and ecology. She also illustrates books, creating empowering and magical narratives for all.
Her art inscribes itself in creole attitudes of amalgamation, merging, juxtaposition and syncretism. It is rooted in an animistic worldview, connecting with ancestral and futuristic indigenous knowledge systems that are grounded in a profound understanding of the earth and space, nature, and non-ordinary reality, sometimes referred to as “dream time”.
She playfully questions the notion of (human) identity through the summoning of beings from liminal spaces, who could as much be masked dancers, spirits, shamans, aliens or all of these combined.

Featured in:
Computer Arts Magazine Issue #276,
Clients
The New York Times, Each One Teach One, WePresent, Karneval der Kulturen, Vox, Science Notes Magazin, Missy Magazine, Google, Harper Collins, Eater, Harvard Business Review, WDR, Radcliffe Magazine, Branch, New Statesman, Tate, Psychologie Heute, C40 Cities, Scoop Magazine, CFFP, Octopus Publishing Group, The Washington Post's 'The Lily', Familiar Faces, Penguin Random House, Women Who Do Stuff, Systemic Justice, United Networks, Carlsen Verlag, Zedela, Gesicht Zeigen, Dancing with Mountains, Hase & Igel Verlag, nGbK, Readers Gonna Read

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![“If your thoughts have grown somber and a sinister feeling is chilling your bones, it’s time to jump into action! Abandon your spells for abundance and eternal youth, instead prepare to manifest bigger and more urgent truths. Gather your tools, grind, chop, pluck and bind. Draw in the fiercest powers you can find. Remember, we all have a role to play, you will also find your way.”
[Text in the image]
“Bones of ancestress,
Drop of menarche,
I banish the patriarch¥.
Thyme, sage and pesticide,
Bind those who commit g€nocide!”
.
.
.
#themagician #tarot #halloween #witch #manifest #art #illustration #magic #stopgreed #stopgenocide #stopclimatechange #stoppatriarchy #stopcolonialism #stopcapitalism](https://scontent-den2-1.cdninstagram.com/v/t51.82787-15/573528221_18532545208002772_2130040634322112793_n.jpg?stp=dst-jpg_e35_tt6&_nc_cat=107&ccb=7-5&_nc_sid=18de74&efg=eyJlZmdfdGFnIjoiRkVFRC5iZXN0X2ltYWdlX3VybGdlbi5DMyJ9&_nc_ohc=1mB5_pIjeYUQ7kNvwGO2Ngj&_nc_oc=Adpw_bvTfs4qnCNuvc66VjE15rUBjuRpH4gXiNmdCrkPlEMaR01ph2YoO8fo75sjfQ8&_nc_zt=23&_nc_ht=scontent-den2-1.cdninstagram.com&edm=ANo9K5cEAAAA&_nc_gid=kkCO5EaqbSeDz26yb3TQnA&_nc_tpa=Q5bMBQKnRkuw41XiL5UZzrBS_qCoiNqFgQnGc-2RrsCaGi_vSCC4g2B8vAsOKDVNESKq8Xl251f2rnlM&oh=00_AQTbXJCQq994UT59lxK0AvKsIvzOCLJVN8S6XmOmg1XSNg&oe=6AEB917B)





![I was honored to be able to make the poster and flyers for this incredible exhibition @ngbk_berlin 👀It’s still on until June 1st and this Saturday 17th May there will be curatorial tours at 15h snd 16h with @mltppr and @majsmoszna
Activist Choreographies of Care: perfocraZe International Artist Residency connects Kumasi and Berlin, intertwining queer stories told in, about, and from those locations. Archival and newly produced artistic works, previous performances and new live actions are linked by an event program, bringing together the communal spirit of the residency with the notion of a gathering space provided by an exhibition display and performance set-up.
The project opens a satellite space of the perfocraZe International Artist Residency [pIAR] from Kumasi, Ghana, in Berlin. pIAR is a self-organized safer space for people of the LGBTQIA+ community in Ghana, which is currently under acute threat from a law disguised as “Promotion of Proper Human Sexual Rights And Ghanaian Family Values Bill”. The law, which was passed by Parliament in February 2024 criminalizes the identification as LGBTQIA+ and the promotion of LGBTQIA+ rights, amongst many other activities. While the law has not been signed by the previous parliament, hence suspending its implementation, the new parliament allegedly plans to include the violent and discriminatory content of the law in school curricula.
Through installation, film, textiles, poetry and performance, the artists engage with the search for queer ancestries, dismantling colonial histories inscribed in bodies and spaces, to build different worlds that hold space for connection, daily resistance, and transformation. Kumasi and Berlin-based artists explore circular narrations and speculative queer futures. Looking at pre-colonial histories, the project gathers artists whose work challenges Western notions of binary genders and queerness, to raise international solidarity and build resilience networks.](https://scontent-den2-1.cdninstagram.com/v/t51.75761-15/498600938_18499985701002772_1534633402275049993_n.jpg?stp=dst-jpg_e35_tt6&_nc_cat=105&ccb=7-5&_nc_sid=18de74&efg=eyJlZmdfdGFnIjoiRkVFRC5iZXN0X2ltYWdlX3VybGdlbi5DMyJ9&_nc_ohc=AwCj0nUsebEQ7kNvwFBE_56&_nc_oc=Adof72y2csP-03GfjLPk8Vb5ls6MqcrttKuLv1b59utYid30W8ECEJwyuudeaj-Ml_k&_nc_zt=23&_nc_ht=scontent-den2-1.cdninstagram.com&edm=ANo9K5cEAAAA&_nc_gid=kkCO5EaqbSeDz26yb3TQnA&_nc_tpa=Q5bMBQK2tAwvt-yQUzuEsUMNSENyntEzUdsSK5nM9jAgRzkwsXeokbLYeGD6cLzcJ7xaBQRlGJGdId8A&oh=00_AQTcMH-Lga3NwpY5tZITq0CzusFHQeQr1oNaUFPNdVxiww&oe=6AEB996B)




